The kill call bcadf-9 Page 7

  She showered, changed her clothes, then pulled on her coat and went out for a walk to wake herself up. The clouds had cleared now, and a crescent moon was shining on the wet street. Music played behind curtained windows as she passed. Tunes that were vaguely familiar, but she couldn’t quite hear enough of to name.

  She felt like the only person out in the streets tonight. The rest of Edendale was shut up behind its doors and windows, people enclosed in their own little worlds. Sometimes she wished she had a world of her own that she could enter that way, instead of always standing out in the cold, feeling so small and vulnerable under a vast, moonlit sky. At times like this, she craved the crowded intimacy of the city.

  After a few months, Fry had finally brought herself to make an effort at getting acquainted with the students. So what if they had nothing in common? She wasn’t going to spend the rest of her life with them. But then they had all left. They’d moved away to live in student halls, or had finished their courses and got on with their lives. It was strange how everyone she moved towards always seemed to move away from her. It was as if she was caught up in some old-fashioned dance where no one was supposed to get too close, everyone spinning constantly round the ballroom floor, touching briefly before whirling away to a distant corner where she never saw them again.

  She thought of Ben Cooper. The one person, perhaps, who had never entirely drawn away. She wasn’t sure whether that was a good thing, or not. It had been so typical of him to turn up at the crime scene on Longstone Moor today. She remembered the moment she’d spotted Cooper approaching the outer cordon — an unmistakable figure striding effortlessly up the slope towards her, shrugging off the wind and rain as if he was a natural part of the landscape, a creature totally at home in its own environment. He always looked vaguely windswept, even in the office, with that infuriating lock of hair that fell across his forehead. Yet he also radiated a kind of intensity that Fry rarely saw in anyone, let alone the police officers and other professionals she worked with day in and day out, people trained to say exactly the right thing in all circumstances. You could rely on Ben Cooper not to do that, at least.

  Fry sighed. Of course, Cooper had been right about her antipathy to hunting. She didn’t think it was just some kind of class thing, though. At least, she hoped it wasn’t. Though hunting was often associated with class privilege and social hierarchy, there had always been a lurking violence at the heart of the sport that turned it into a kind of blood ritual.

  When she was a studying at UCE, there had been fellow students who had been deeply involved in animal rights protests, including the campaign against fox hunting. Some of them were the sort of people whose instinct was to be anti everything, but the propaganda had been pervasive, the leaflets handed out, the posters of mutilated animals pinned to the notice boards in the Students’ Union.

  To Fry, it had been obvious that the demand for a ban on fox hunting in Britain had as much to do with class politics as a love of animals. As any eighteenth-century farm labourer transported for killing a hare could have told you, the hunt was always about the relative status of human beings.

  The impression most people had of fox hunting came from its depiction in art. There, hunting had always been portrayed as the preserve of the few, a jealously guarded conspiracy.

  There was a painting Fry had seen in the National Gallery once, on a visit to London. A portrait of Lord Somebody or Other, Master of the Hounds. He had been painted dressed in a black hunting outfit, his dark shadow accompanying him in the background, like the spectre of death. His boots had been polished to a high gloss, and he gripped the silver handle of a riding crop as though he was just about to thrash a servant rather than his horse. To the observer, his expression suggested that he was regarding an incompetent groom who’d just dropped a brush.

  When Fry had studied the label, she realized that his lordship must have been perfectly happy to appear arrogant and potentially violent, since he had given the portrait to the National Gallery himself. Hunting art had always been frank about the cruelty of the sport. These days, everything was about presentation and image. Would there have been the same demand for a ban if hunting had a better image in art?

  Yet every stately home and every country pub still had hunting prints rotting from their frames. That bloody symbolism survived.

  Cooper stepped outside into the back yard at Welbeck Street, and turned his face up to the rain, wiping a spatter of water from his face. On Sunday, it had been raining at the National Memorial Arboretum, too. Trickles of water had formed on the memorial at the end of The Beat, streaking the surface of the stone. They looked so much like tears that even Matt Cooper had been silenced by the symbolism. Ben had pulled up his collar, hunched his shoulders inside his coat, and regretted ever agreeing to come.

  ‘They’ve done it nicely, though,’ Matt had said. ‘Good job.’

  ‘Yes, nice.’

  Claire gave Ben an odd look then. What was that look supposed to mean? Ben could never really understand what his sister was thinking, the way he could with Matt. Did she share his own reaction? Did their brother’s hearty matter-of-factness have the same effect on her — that sinking feeling of grief and loss that was rammed home by the simple act of watching someone read an inscription on a plaque?

  Yes, they’d done it nicely. Written their father’s final epitaph in a few strokes of engraving. Sergeant Joseph Cooper, Derbyshire Constabulary, killed on duty. Recorded for ever. Permanently set in stone.

  ‘There are so many,’ said Claire. ‘You don’t realize, do you?’

  Ben had gazed around the site at all the memorials to hundreds of thousands of service personnel who’d died for their country. Surely one police sergeant who had been kicked to death by drunken yobs on the streets of Edendale was a unique individual, even among so many deaths?

  A few months ago, Ben had been asked to join an organization called COPS, one of those convenient acronyms that police services across the country were so fond of. Its initials stood for Care of Police Survivors. Last July, he’d attended their annual service of remembrance, complete with a fly-past by a police helicopter and a cavalcade of motorcycles ridden by the Blue Angels.

  He’d come away from that service with mixed feelings. Some parts of it had been moving, like the sight of so many other relatives of dead police officers. But he wasn’t so sure about the idea of turning the occasion into a spectacle, as if it was the Edinburgh Tattoo. People grieved in different ways, he supposed. Some preferred to remember their loved ones in a public way, rather than confine their feelings to private grief. Yes, emotions were sometimes easier to deal with in public, when people felt the necessity to behave properly, and not to be an embarrassment.

  At the time of the remembrance service, The Beat had been under water and impossible to reach. Hundreds of trees in the arboretum had to be replaced because of the effects of repeated flooding. Not just in winter, either. Last summer, a temporary lake had formed, drowning The Beat. Fifteen inches of water had surged across the site, washing away stakes and flattening trees.

  Ben had promised himself that he’d come back one day, and Matt and Claire had jumped on the idea with enthusiasm, much to his surprise. He shouldn’t think that they didn’t grieve too, just because they didn’t always show it. For heaven’s sake, he didn’t show it too much either, did he?

  ‘Perhaps we should go back to the visitor centre,’ Claire had said. ‘The rain is getting a bit heavy.’

  ‘In a minute,’ said Matt. ‘Give me a minute.’

  Something in the tone of his voice had sounded wrong. Matt’s back was to them, and he hardly seemed aware of the rain falling on his shoulders.

  Ben turned and walked a few yards away towards the RAF memorial. Alongside it, he saw a smaller grove — two rows of hawthorns supported by wooden posts. They looked to be young trees, seven or eight years old, maybe. They were probably intended to form an arch eventually. Each tree carried a label bearing a curious logo, with a nam
e and number. He saw 7 Group Bedford, and 8 Group Coventry next to it. Before he could look more closely, Matt called to him from the other side of The Beat.

  ‘It’s funny,’ he said, ‘but in Dad’s day, we all believed the police were on our side. They kept us safe, protected us from criminals, all that stuff. We respected them for it. Everyone I know would have done their best to help the bobbies because of that. But now it’s changed. And I don’t know where it went wrong.’ He looked up at his brother. ‘Maybe you know, Ben.’

  Ben blinked. Where the heck had that suddenly come from? What switch had turned on the flow of his brother’s resentment so abruptly?

  He looked at Claire, but of course she’d been nodding as Matt spoke.

  ‘Well, I know exactly what you mean,’ she said. ‘It’s because the police seem to spend most of their time persecuting law-abiding people for petty infringements of the rules instead of going after the real criminals. They’re pursuing government targets and political correctness instead of chasing the bad guys.’

  ‘They do it because it’s easier, and it gets their detection rates up,’ said Matt. ‘A motorist who goes a few miles an hour over the speed limit is a nice soft target. Not to mention all those cases where people tackle yobs causing trouble. If they don’t get beaten up by the yobs — ’

  ‘Or killed,’ said Claire.

  ‘Yes, or killed,’ agreed Matt, ‘then they get arrested themselves. And yet at the same time you hear stories of police officers standing around doing risk assessments while someone is dying. It’s ludicrous. I can tell you, Dad would never have done that. He would never have hung back if he thought he might save someone’s life.’

  ‘No.’ Claire was quiet for a moment. ‘I suppose you hear this all the time, Ben.’

  ‘Pretty much.’

  When it had come time to leave the arboretum, Claire insisted on taking a photograph of her two brothers on her digital camera. She posed them near the rain-streaked windows to get the best light, gesturing them to get closer together until their shoulders were touching. Ben tried to smile, but could sense that his brother was as stiff as he was. Not the best family portrait, probably. But Claire didn’t seem to notice, flashing off a few shots before pulling up her hood and leading them out into the rain.

  ‘All right,’ Matt said. ‘I suppose it’s just today, visiting this place. Thinking about Dad. About how much things have changed in those few years. He would never have been able to live with it.’

  ‘I know,’ said Ben. ‘I know.’

  Ben found he could listen to their comments without even being tempted to argue. There was nothing in them that he hadn’t heard before. Yes, it was hurtful that his own family should have these views, but he wasn’t surprised by them. Matt read the Daily Mail and the Daily Telegraph, after all. Stories like these were commonplace. There was some new incident in the media every week. A view of the police as the enemy was spreading rapidly among ordinary members of the public. Like a disease, it passed from one person to another by word of mouth.

  And this wasn’t the way it had been meant to be. Not in this country, anyway. In Britain, there was supposed to be policing by consent, a partnership between the police and the public. It was never imagined that police officers would be attacked on the street by members of the public just because they happened to be there.

  Though it upset him to hear what was said, it was difficult for Ben to summon the enthusiasm to put up any defence. He heard much the same concerns at work day after day, from the people caught in the middle of the trap.

  And the worst thing of all was that Matt had been right. Sergeant Joe Cooper would never have stood by while someone was dying. He would have torn up the risk assessment forms and thrown them in the face of anyone who tried to stop him.

  In the back yard of his flat in Welbeck Street, Ben Cooper let the rain run down his face freely, no longer caring whether he wiped it away or not.

  9

  Journal of 1968

  I can’t remember who first started to call it ‘the pit’. Jimmy, probably. But my memories of him are so twisted now, so bent with emotion and blackened with anger, that I don’t know what I’m remembering and what I’ve put in from my own imagination. In my mind, Jimmy is a tiny figure, his pale face turned up to the sky, glasses catching the light, flashing like a signal, until a huge shadow falls across and obliterates him.

  Les was a lot older than us, and such a big man. No, big isn’t the right word. He was fat, all right? He had double chins like a concertina, and rolls that spilled over the waistband of his trousers.

  Well, I realize none of us exactly resembled Errol Flynn in those uniforms, but Les always seemed as though he’d burst out of his battledress tunic at any moment, as if he’d send those little silver buttons popping all over the place. In winter, when he wore his greatcoat, the belt would slip up over the top of his stomach and pin itself across his chest, until he looked like a badly wrapped parcel. It was a miracle he ever fit in the shaft.

  We used to joke about it, Jimmy and me. We said that one day Les’s backside would get stuck in the hatch like a cork in a bottle. And that would be us well and truly trapped for the duration. Never mind what was going on outside, on the inside it would be hell.

  Oh, and he had these little piggy eyes, too, I remember. If you did anything wrong, Les would stare at you for ages without saying anything. But you knew he was making a note of it, in case he could use it against you some time. He was like that, Les. He talked all the time about us being a team, but he’d stick a knife in your back at the first opportunity.

  Jimmy was totally the opposite to look at. Such a scrawny lad; no kind of uniform was ever going to make him look good. He didn’t have the shoulders for it, if you know what I mean. His hair was best described as sandy, and he was growing it long at the sides, so it stuck out from under the elastic brim of his beret in ragged little clumps, which drove Les mad. It was the fashion of the time, of course. Jimmy was even trying for a little moustache, but it was patchy and so pale that you could hardly make it out in a bad light. He wore these wire-framed glasses that were probably supposed to make him look like John Lennon, but didn’t. He looked too studious, a proper skinny weed.

  But he was clever, Jimmy. Really clever. He understood the technical stuff better than any of us. Better than Les, for all his air of superiority.

  These days, I suppose people would have called Jimmy a geek. But I liked him, truly liked him. Jimmy was my best friend, you see. He was almost a brother.

  And he was also the first one to die.

  10

  Wednesday

  Next morning, when she walked out of her flat to the parking area behind the house, it struck Fry what she could spend some of her money on. Her old black Peugeot could be replaced.

  It was obvious, really. The annual MoT and service was starting to get a bit expensive, even though she suspected the garage on Castleton Road gave her a surreptitious discount. Last time, there had been some parts to replace on the suspension system, and French parts weren’t cheap.

  The Peugeot had served her well for several years now, and it didn’t show up the dirt too much when she forgot to wash it for weeks on end. But in the bright sunlight of this clear March morning, Fry could see that it was beginning to look a little scuffed around the edges. Its paintwork carried a few too many scratches from squeezing into odd places, like the field gateway near Birchlow yesterday. Each scratch was minor in itself, but the cumulative effect was of an old tomcat with unhealed claw marks from too many late-night punch-ups.

  But, if she was going to trade it in, what would she replace it with? She hadn’t the faintest idea.

  And she didn’t have any more time to think about it this morning. As she battled through roadworks still puddled with rain, and the cars and buses packed with school children that constituted morning rush-hour in Edendale, she started to prepare herself for the briefing that would start the day.

  ‘OK, our victim
appears to be Patrick Thomas Rawson, date of birth twelfth of April 1964. Born in Digbeth, Birmingham, with a current address in Sutton Coldfield, West Midlands. His wife says Mr Rawson is a company director, type of business as yet unspecified.’

  Copies of a photo were passed around the CID room, and DI Hitchens placed one on the board next to a shot taken by the Scenes of Crime photographer the day before, and an enlarged map of the scene at Longstone Moor.

  ‘The description fits for height, age, and so forth. West Midlands Police have scanned this photo and emailed it to us. You’ve got to admire their efficiency.’

  The new photo showed a smiling man in his mid-forties, dark-haired and dark-eyed, almost Italian-looking. Then Fry mentally corrected herself. No, not Italian. He was probably of Irish ancestry, one of those dark Celtic types from the west coast. She could practically see the charm oozing from his smile, and hear the lilting brogue. But that couldn’t be right, either. Patrick Rawson had been born in the Irish quarter of Birmingham, his Celtic roots overlaid by Brummie. In reality, his accent had probably been not unlike her own.

  ‘It looks pretty conclusive to me,’ said Fry, remembering clearly the dead man lying under the body tent in a spreading pool of blood. It was difficult to be sure, but he might even have been wearing the same coat in the photograph sent from West Midlands.

  Hitchens nodded. ‘Yes, I agree. But the wife will confirm identity. Local police have visited Mrs Rawson, and she’s coming up to Edendale today to do the identification.’

  ‘Who’s bringing her?’

  ‘A brother, I think they said.’

  ‘So what was a forty-five-year-old company director doing in a field outside Birchlow?’ asked someone.

  ‘His wife told the West Midlands bobbies she has no idea. Hopefully, we should be able to get more out of her when she arrives.’

  Fry and Hitchens looked at each other. If the death of Patrick Rawson did turn out to be murder, then nine times out of ten the spouse or partner was the obvious suspect. A lot would depend on Mrs Rawson’s demeanour, the consistency of her story, and whether she had a compelling motive.